Lotta Poetica.
Rivista mensile/ Revue mensuelle/ Maandelijks tijdschrift/ Monthly review. Direzione / Direction: Paul De Vree & Sarenco.
1971-1975 Villa-nuova sul Clisi, Edizioni Amadulo, Eerste reeks compleet, 50 nummers in 32 afleveringen. 25:21,5 cm. geniet.
Met bijdragen van: Karel Adamus, Oreste Amato, Rossana Apicella, Richard Artschwager, Bernard Aubertin, Enrico Baj, Gianni Bertini, Joseph Beuys, Jean Francois Bory, Vladimir Burda, Henri Chopin, Cordioli, Robin Crozier, Guillermo Deisler, Ad Dekkers, Carl Friedrich Claus, Herman Damen, Ad Dekkers, Wladimir Dias-Pino, Herbert Distel, Cor Doesburg, Giorgio Dri, Fraco Fabiano, Enea Ferrari, Ludo Frateur, Ken Friedman, Jochen Gerz, Dick Higgins, Ewerdt Hilgemann, Emilio Isgro, Francoise Janicot, Stephen Kaltenbach, Tomaso Kemeny, Richard Kostelanetz, Alfonso Lopez Gradoli, J.H. Kocman, Jiri Kolar, Joseph Kosuth, Piero Manzoni, Lucia Marcucci, Elio Mariani, Slavko Matkovic, Peter Mayer, Christian Megert, Peter Meyboom, Eugenio Miccini, Alain Arias Misson, Aldo Mondino, Stephen Morris, Hidetoshi Nagasawa, Josef Nonys, Nahl Nucha, Luciano Ori, Clemente Padin, C.O. Paeffgen, Michele Perfetti, Lamberto Pignotti, B. Poznanovic, Prospet, Gert Jan de Rook, Sarenco, Antonio Scaccabarozzi, Jean-Marie le Sidaner, Carlo Alberto Sitta, Klaus Staeck, Carolyn Stoloff, Vlada Stojiljkovic, Miroljub Todorovic, Shimizu Toshihiko, Balint Szombathy, Tommaso Trini, Karel Trinkewitz, Tim Ulrichs, Franco Vaccari, Jiri Valoch, Henri Vandenberghe, Ben Vautier, Edgardo Antonio Vigo, Paul De Vree, Herman de Vries, Roland Werro en Jan Wojnar.
Gerelateerd
TYP. Typografisch papier.
Amsterdam 1986-2021. A complete collection of this unconventional, critical and very sparkling Dutch typographic magazine. TYP was launched in 1986 by graphic artist Max Kisman as a birthday present for two of his close friends; Jan Dietvorst and Peter Mertens. Together they formed the illustrious ‘Genootschap Kunst & Macht’ (Art & Power Society).
Soon after the birthday party, ‘TYP issue A’ was printed for a larger audience. Editors Jan Dietvorst, Henk Groenendijk, Atte Jongstra, Max Kisman, Kees Maas and Peter Mertens’ mission was to declare war to the state of design, typography and taste of the Dutch aesthetic elite of the time. ‘We are our own future!’ (from the editorial of issue A).
Although TYP was first of all a printed magazine on paper, experimenting in a variety of formats and printing techniques, other media were explored too. Thanks to ‘Media Master’ Peter Mertens, TYP had a pionering role in using electronic multi-media and became the first Dutch magazine to explore its role through the internet. To this day its content remains strikingly current.
Besides work of the editors, contributions by:
Jan Bons, Martin Bril, Bernadette Corstens, Wim Crouwel, Bram de Does, Martin Kaye, Gerrit Noordzij, Piet Schreuders, Ewald Spieker, Jan van Toorn, Gerard Unger, Peter Zegveld, and others!
TYP appeared in various forms and sometimes ephemere editions of which some are rarely to be traced. A nearly complete set of TYP is part of the collection Stedelijk Museum Amsterdam.
Our set consists of 28 items all in fine condition. Detailed description on demand.
Ira Cohen (and others). Gnaoua. Number one.
Spring 1964 Tangier (=Antwerp…) No further issues were published.
With contributions by William Burroughs, Ian Summerville, Brion Gysin, Harold Norse, Allen Ginsberg, Michael McClure, J. Sheeper, Jack Smith, Marc Schleifer, Mohammed Ben Abdullah Yussifi, J. Weir, Stuart Gordon, Tatiana, and Alfred Jarry. Edited and published by Ira Cohen.
The Antwerp Publisher ‘Ontwikkeling’ took care of printing and distribution of this legendary underground magazine. A copy of Gnaoua is to be seen in Daniel Kramer’s photograph on the front cover of Bob Dylan’s record sleeve ‘Bringing it all back home’ (1965). Look for it on the mantelpiece!
This is the second edition (not stated) of Gnaoua that was printed in June 1964 and differs only from the first (April 1964) in two small text corrections on pages 87 and 101.
Excellent copy in mint condition.
Willem (Bernard Willem Holtrop). Zelfportret.
Cartoon bijdrage ‘Het moderne gezin’ in het tijdschrift ‘Bijster’ nummer 5 (1969 Amsterdam, De Bezige Bij) met hilarisch zelfportretje in inkt, meer dan 40 jaar later (2012) toegevoegd, waarmee de cartoonist de confrontatie met genoemd werk treffend in beeld brengt.
![[:nl]Waarom Daarom. Ruimten.[:]](https://www.demian.be/wp-content/uploads/2021/02/waarom_daarom-240x240.jpg)
Waarom Daarom. Ruimten.
Themanummer poëtica. Zevende jaargang, nummer 26, 1968. 28 p. 23:16,5 cm. Geniet.
Redactie: Ludo Abicht, Frans Boenders, Herman De Coninck, Wim Gijsen, Jo Stevens, Luc Wenseleers. Omslag: Pol Mara.
Met bijdragen van Ludo Abicht, Albert Bontridder, Louis Paul Boon, Nic Van Bruggen, Herman J. Claeys, Hugo Claus, Herman De Coninck, Mark Dangin, Wim Gijsen, Gust Gils, Jos De Haes, Karel Jonckheere, Herman Moscoviter, Erik Van Ruysbeek, Simon Vinkenoog, Eddy Van Vliet, Hans Van Den Waarsenburg, Dick Walda, Hans Melchior Wap, Marcel Wauters, Luc Wenseleers.
Joseph Kosuth. Notebook on water 1965-66
Multiple. 1970 New York, Multiples Inc., edition of 1.200.
Manila envelope (30,5:24 cm.) containing loose leaves with definitions of water in its various states, photographs, a folded map, and facsimiles of Kosuth’s notebooks.
Originally meant for inclusion in the box ‘Artists & Photographs’ published by Marian Goodman’s Multiples Inc.
Complete with all inserts.
Remco Campert (Tony Rombouts en An Valvekens). Vraag het hemzelf. Praten met Campert.
Interview door Tony Rombouts en An Valvekens, opgenomen in Muze-n-Express, jaargang 1, nummer 3. 12p. 37,5:28 cm. 1966 Antwerpen.
![[:nl]Marcel Broodthaers. Phantomas.[:]](https://www.demian.be/wp-content/uploads/2021/02/Phantomas-240x240.jpg)
Marcel Broodthaers. Phantomas.
Special Broodthaers issue, designed by the artist.
Bruxelles, Phantomas, February 1966, XIII, No.62, one of 500 copies. Directors: Théodore Koenig, Joseph Noiret, Marcel & Gabriel Piqueray. (16p.) 22,5:14 cm, stapled.
Printed in black and red.
Simon Vinkenoog. Blurb 4.
1950 Parijs, eigen beheer. Bevat o.a. het gedicht ‘Zondag’ van Remco Campert. 8p. 27:21 cm. Exemplaar met nietjes (niet origineel) en lichte sporen van oud vocht.